The following photographs are made in Gore Place located in Waltham, Massachusetts. The preserved mansion of Christopher Gore, and the work place of a paternal ancestor, Robert Roberts. In 1827, Roberts published  The House Servant's Directory , whi

The following photographs are made in Gore Place located in Waltham, Massachusetts. The preserved mansion of Christopher Gore, and the work place of a paternal ancestor, Robert Roberts. In 1827, Roberts published The House Servant's Directory, which became a commercially successful guide to white employers and their Black domestics. The text compiles observations on etiquette, behavior, and labor.

I photographed in Gore Place for the period of a year while intaking my ancestors language for the first time. The resulting photographs move between still life and self-portrait performance. I mark this work as my first serious inquiry into observing how objects, and the material traces of colonial archives, shape a racialized presence.

Image: Roberts Bedroom

 Speaking Light

Speaking Light

 Moon II

Moon II

 Rupture

Rupture

 Attic Skylight

Attic Skylight

 Devils

Devils

 Tools

Tools

 Breakfast Room

Breakfast Room

 Stamp

Stamp

 Moon I

Moon I

 The following photographs are made in Gore Place located in Waltham, Massachusetts. The preserved mansion of Christopher Gore, and the work place of a paternal ancestor, Robert Roberts. In 1827, Roberts published  The House Servant's Directory , whi
 Speaking Light
 Moon II
 Rupture
 Attic Skylight
 Devils
 Tools
 Breakfast Room
 Stamp
 Moon I

The following photographs are made in Gore Place located in Waltham, Massachusetts. The preserved mansion of Christopher Gore, and the work place of a paternal ancestor, Robert Roberts. In 1827, Roberts published The House Servant's Directory, which became a commercially successful guide to white employers and their Black domestics. The text compiles observations on etiquette, behavior, and labor.

I photographed in Gore Place for the period of a year while intaking my ancestors language for the first time. The resulting photographs move between still life and self-portrait performance. I mark this work as my first serious inquiry into observing how objects, and the material traces of colonial archives, shape a racialized presence.

Image: Roberts Bedroom

Speaking Light

Moon II

Rupture

Attic Skylight

Devils

Tools

Breakfast Room

Stamp

Moon I

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